September 13, 2016
Miya’s treatment of surface requires an extraordinary level of ability, knowledge and skill, and her technique combines subtlety and understatement with a planetary scope of view.
“I think of artwork as part of a dialogue or conversation as opposed to a soliloquy. The artist makes a work and the viewer responds. I very much like to think of the making of art as participating in this form of communication, one that occurs whether I myself am physically present or not. I like the idea of a silent/non-verbal communication.” – Miya Ando